You will still need other method and etude books like . of 2 - The Balanced Embouchure (Jeff Smiley) - posted in Viva Brass: I've been doing a bit of poking around on the internet about . The Balanced Embouchure (BE) is a set of embouchure development exercises and practice methods. Jeff Smiley (the author) uses BE with all his students. Mouthpiece buzzing pdf Tonguing Exercise Yamaha Silent Brass Pro Tec.

Links The Balanced Embouchure by Jeff Smiley Embouchure….

I am interested in learning more about both the book and the approach developed by Jeff Smiley, as I consider it part of my job as a teacher to .ĬRACK iStripper V1.

James stamp trumpet method pdf download#.

This will help train your mind and muscles to play in tune, regardless of the direction of travel. The idea is to play the G and C with the same set that you played the A with. Thinking 'up while you go down' or 'down while you go up' can accommodate this. As you play the C and G, think of maintaining that set you memorized for the D. Then, when you go to the following C, again, make sure that you do not bend the pitch of the D down at all before the time has arrived to play the C. Play it perfectly in tune with the piano. Now, when you reach the D, think of resetting your mind to that pitch. Ensure that the transition is clean, distinct, sharp (in differentiation terms, not in pitch) and clean. Play the preceding C for one whole beat, and be conscious that you are not slightly bending the pitch up to the D before the next beat. You should not anticipate that pitch at all.

It represents the fact that each pitch is individual of the preceding pitches. Now, you need to understand what the little bar symbol means. Play with exact rhythm! Using a metronome in addition to the pitch reference will help. Do it first with the mouthpiece, then with the trumpet. Playing in tune is absolutely key for this exercise. Use either a piano or some other form of pitch reference. Stamp advocated using a piano in all exercises. At first glance, this seems very doable, and it is! However, it has a purpose, and the exercise is more or less a waste of time if not approached properly.įirst off, Mr. Let's start with the basic exercise that everyone knows. To make matters worse, the recordings that come with it are appalling and not easy listening at all. Unfortunately, it doesn't always make it very clear how some of these exercises are to be done. Like the Schlossberg, it wasn't compiled by Mr. This book is actually a compilation of many techniques that he taught. I am sure that many reading this thread are familiar with the Warm-Ups book (the blue one with the big red lips). I felt like sharing this with the world would perhaps be beneficial to some. Besides developing a great friendship and learning more about the man who is behind so much of our modern pedagogy, I also learned how to apply his techniques. I studied with a student of James Stamp for about 1-1.5 years.

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